Friday, April 16, 2010
Saturday, April 3, 2010
Thursday, April 1, 2010
Paiya Movie Online & Download
Paiya is all set to hit the screens soon
Paiya stars Karthik Shivkumar and Tamanna in the lead roles. Music is scored by Yuvan Shankar Raja
Paiya is a story of a young man and a woman who are on a journey from Bangalore to Mumbai in a car.
The suspense element is when an unknown person joins their three days journey and unexpected twists and interesting things, happen during the journey.
The flashback of this movie is another key element which has been screened in a very colourful way.
Get ready to watch the stylish, romantic, thriller 'Paiya' in 70 MM screen
Paiya movie online & Download Coming Soon on Movie Thunder
Porkalam Movie free download
High-contrast tones, slow-motioned visuals, an astounding background with some breathtaking action sequences. What happens when these aspects are prevalently spotted in a film? A grandiose visual treat, isn’t? But what could be the ultimate results when they turn to be abnormally excessive.
Ever heard about a famous proverb – TOO MUCH IS TOO BAD….
Undoubtedly, ‘Porkalam’ takes on the stand of proving it. It’s nice to experience something different over the visuals with dark contrast visuals with slow motioned effects. But as things get repeated, it throws a big resentment from the audiences.
Debutant Bandi Saroj seems to have bombastically blended clichéd moments in the film.
Indeed, there’s nothing special to mention about the synopsis, Snegha (Smitha), a girl from Lanka (a farthest remote district of Andhra Pradesh) is rushing towards for Chennai. With a sorcerer (Teen Anand) insisting a goon (Sampath) to marry her, she has no other option to get herself rescued. Meanwhile, we’re introduced to Karnan (Kishore Kumar), a rough-n-tough man who becomes an overnight hero after a suicide attempt that barges a ruffian behind bars. Later as Snegha steps into Chennai, she takes refuge under Karnan and his cook Sathya (Sathyan).
Sooner, the terrific Telugu speaking Andhra guys make their way into Chennai. Meanwhile, unable to accept Snegha’s love, Karnan leaves her under the charge of a police so as to find her real identity and secure her safety.
When Sathya looses out his patience for Karnan’s hostility, we are exposed to an unbelievable truth that Karnan is a blind person right from his childhood.
Can he save his ladylove back in Lanka as a one-man army? Watch the rest on screens.
The film proceeds well till the first half and post-intermission sequences are completely dragging. Kishore does justice to his role and newcomer Smitha takes on with her decent efforts. Rest of the star-casts mentioned above in list has done a remarkable job and Biju Menon surpasses with his minimal role as a cop.
Background score enhances the visual quality while the filmmaker has been much inspired from Ram Gopal Varma. Most of the shots are seemingly lifted from his flicks. But lots of fade-in-and-out edits really makes us impatient.
The director should work more on penning powerful scripts. This cannot be adjudged as a best film, but not either. Maybe, he’ll gain more maturity on this factor. The cinematographers can keep their fingers crossed as they’ll be the most wanted technicians in tinsel town.
What works: Cinematography, some interesting moments in first half, Sathyan, Biju Menon
What didn’t work: Overuse of same plug-ins in editing, unsubstantial script, weaker screenplay in second half and dragging climax.
Verdict: Bandi Saroj Kumar – Better Luck next time…
Production: T Bhaskara Rao
Direction: Bandi Saroj Kumar
Star-casts: Kishore Kumar, Sathyan, Smitha, Lal, Biju Menon, Pon Vannan, Santhana Bharathy , Teenu Anand and others
Music: Rohit Kulkarni
Cinematography: Mahendran, Deva, Devaraj
Download Part 1 -194mb
Download Part 2 -283mb
Vinnaithandi varuvaya
Vinnaithandi Varuvaya’, (VTV) and you know what its like to cross the sky and get into another dimension called love. ‘Vinnaithandi Varuvaya’ is a popular lyric from the ‘Vennilave Vennilave’ song from ‘Minsara Kanavu’ directed by Rajeev Menon and all of you know that. So director Goutham Vasudev Menon has rightly acknowledged Rajeev Menon in the first card of the Titles. How humble!
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Right from the time, the word ‘action’ was told, the film has been creating the ripples of expectation among director Goutham’s fans. He has surely tried his maximum to live up to the expectations. Captain Goutham and his team- comprising of editor Antony, art director Rajeevan, director of photography Manoj Paramahamsa and music by A R Rahman, just look at that combination, have always given us that feeling of modern cinema.
Well technically, the movie is made with high values- Exceptional music, background score, re-recording, classy camera work, foreign locations, etc. All the technicians involved must receive that imperative appreciation for they have done their work with much finesse.
The first in the list of technicians who have to be appreciated would be, undoubtedly, A R Rahman. Man! Isn’t he a creative genius! His 1st movie after the Oscar phenomenon. His music is one of the main reasons to the much acclaimed hype. The re-recording and the background score are really amazing. If you’ve listened to his songs in your personal stereo, then its only half of the magic you have experienced.
The picturisation of the songs is simply remarkable and they complete the magic. God knows how Goutham gets his ideas and the eye of Manoj Paramahamsa who’s done ‘Eeram’ before, not just his eye that thought of those exotic locations but his ‘lens eye’ as well that caught all those beautiful locales. Watch those videos even with half opened eyes and you’ll realize he hasn’t used a camera but a paint brush with the palette of colours from Mother Nature. The colour tones in the movie have been brought out quite amazingly. The songs especially, ‘Hosana’ and ‘Omanna Penne’ shot at Malta, are worth the watch at the cinemas. Songs get major attention in the movie and the other technician we are going to talk about is Rajeevan and his art-work in the sets of a few songs is fascinating. The D.O.P (director of photography) Manoj has used minimal artificial lighting in the movie, showing his signature style.
We’ll come back to the people behind the camera a little later. Now is the time for the people in front of the camera. Trisha and Silambarasan as the lead pair, and quite a few veterans in the movie like Kitty as Silambarasan’s father and Bob Antony as Trisha’s father. All artists have done well especially Ganesh, also one of the producers, who plays Silambarasan’s friend, has acted well, and his dialogue delivery must be appreciated. Lets talk about- Silambarasan! We’ve seen him as a college student, as a mass character and we’ve seen him dance in the middle of the road, typical Chennai style, but can you imagine Silambarasan in formals, as a simple, regular guy-next door, decent and at his best behaviour? Well, he has proved he is not just the normal run-off-the-mill commercial hero but an actor who will mould himself into any character that a story demands. He’s come out of that commercial image with VTV. All were apprehensive about the fact that Silambarasan working with a classy director like Goutham. But the director has been persistent about Silambarasan and he hasn’t let the director down. Silambarasan has been in front of the camera since he was a kid and such a role as ‘Karthik’ in this movie is really not demanding or impossible to him. He hasn’t acted in this movie, but has been himself. His dialogue delivery appeared to be simple, just like how he would talk to anyone in his real life. He is an ambitious and aspiring film maker in the movie and in real life, he really is.
Opposite Silambarasan is pretty lass Trisha. Trisha as Jessie has portrayed her character brilliantly, she hasn’t over acted or under acted, and she’s done it perfectly. Director of Photography, Manoj has prettified Trisha, and she looks prettier than her previous appearances. Saree clad in most of the movie, Trisha has pulled off a terrific performance. Nalini Sriram’s costumes might start a cult with the ladies from now on.
Now we’re moving in to the ‘story, screenplay and dialogues’, by Goutham. Don’t expect us to be spoilsport and reveal the storyline and the cute screenplay of the movie. The first half till the interval will grab your attention as it has been nicely written and well taken. Some cute scenes between Silambarasan and Trisha look really candid and the camera man has managed to capture that cheeky chemistry between the two. According to the film promos, theatrical trailers, etc ‘VTV’ is a love story ‘with a difference’. There wasn’t anything particularly different to talk about, except for Simbu being younger to Trisha by one year, and the screenplay that won’t tell you till the end if they’ve fall in love and live happily ever after?
Silambarasan wooing Trisha, their second pairing after ‘Alai’, is not at all impractical and you can relate their characters to real life. Their chemistry is enticing and they actually appear a cute pair. Silambarasan’s attitude in the movie is straight forward while Trisha is homely and conservative. The one thing you can’t relate to life or even agree is the hero meeting the heroine at her house, at his will without anyone noticing. Cinema has grown of age, or have people!?
The screenplay in the first half is slow and cute but the screenplay in the second half is even slower.
A faster screenplay might spoil the feel of a romantic movie. Back to technicians, Editor Antony has done a decent job but could have advised his Captain to chop off a few reels. Some of the audience thought the movie got over and they got off their seats when a song was being played! but the movie continued for 10 more minutes after that.
Silambarasan, we all know fights well and dances amazingly. There is just one stunt sequence in the movie and that’s designed by Shiva who’s handled the fight scenes very well and Silambarasan is the demi-god we know, sustains not a single scratch on him. Silambarasan’s dance is admirable. Keeping in mind that most of the songs are not dance numbers, you’ll still see him sway to those tunes convincingly.
Dialogues in the movie and especially Silambarasan’s dialogue delivery is worth mentioning. The dialogues make you giggle at times, and sometimes they make you feel- how one can be so romantic.
Director Goutham has tried something ‘different’ but the audience is perplexed at the end. You wouldn’t know how to react after the climax. Weird! If you’ve been following all his movies and know his style of film making, then you would appreciate his work. There were rumours about two climaxes to the movie. The version the audience saw on the first day is not really lively.
Finally a disclaimer: If and only if, you have all the time in the world, and you like the slow romantic genre, you’ll enjoy this one.
VTV- a feel (long) 'good' film!DOWNLOAD
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Sunday, February 14, 2010
Kandha Kottai Movie Free Download
There are certain ambiguities that need to be sorted out after watching Kandha Kottai. How come filmmakers are still beating the same bush with hackneyed stories? If so, how do producers okay such scripts and turn them into pictures spending lavish money? We’re sure; you will walk out of theatres with so many questions in your mind after watching this film.oneindiain121:http://entertainment.oneindia.in/tamil/reviews/2009/kandha-kottai-review-211209.htmlBuzz up!
If there could be some movies that make you feel that you’ve wasted 140mins of your life, ‘Kandha Kottai’ is sure to hold a prominent place amongst the lists. The film doesn’t carry a single attribute to be appreciated. The script is tenuous as it cannot hold the attention of audiences while the screenplay is so boring that you feel like walking out of theatres prior to climax.The film is about Siva (Nakul), who strongly objects a thing called ‘Love’ and is dead against the lovers and alienates them at any cost. On the other end, we’ve Pooja (Poorna) in Nagercoil completely opposite in nature to Siva as she strives uniting the lovers. When Siva’s sister Girija falls in love with Pooja’s cousin boy in Chennai, she sets out to ensconce the proposal in an affirmative approach. But then, there are conflicts between the Siva and Pooja, who’re like chalk and cheese.At once, as Pooja reveals about what the real love is, Siva cannot withstand his firm principle and falls in love with her. But when Pooja reciprocates her proposal to him, she is swamped in problems as Annachi’s (Sampath) son in love with Pooja commits suicide after knowing about this affair.Since, Annachi has promised his son that he will not harm Pooja, he starts killing the people around her. All that he wants is to make Pooja lead a widow-like life as he believes that girl was the cause for his son’s death.When Siva comes to know about these problems, things start taking a turn as he challenges Annachi that he’ll marry this girl within 3 days.Nakul has to improve a lot in choosing the script. He never suits the role of a middle-or-low class guy. Be his previous Maasilamani or this one, he doesn’t suit the roughneck roles. Instead, he can attempt trying his luck on some appealing characterizations. Nonetheless, his dancing skills are marvelous and so is his vocalism for 'Eppadi Ennul Kadhal Vandhadhu'. Poorna has aped Asin throughout the show and she needs to choose better costumes, as the skimpy ones don’t suit her. Santhanam adds to the humor quotients with his rib-tickling comedy tracks, but that too turns to be hackneyed after certain extent. Sampath sleepwalks through his role as a baddie.Dheena’s musical score is unimpressive for both songs and background score. Apart from 'Eppadi Ennul Kadhal Vandhadhu', none of the melodies sound commendable. Sakthivel hasn’t given prominence to technical departments of cinematography and editing, as there are lots of discontinuities between the shots.On whole, Kandha Kottai lacks substantiality in both narrative and technical aspects and it has no chances of surviving at box office even for a week.Production: ESK Films, AGS EntertainmentDirection: Sakthivel S Star-casts: Nakulan, Poorna, Sampath, Santhanam and othersMusic: Dheena
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Saturday, February 13, 2010
Aayirathil Oruvan Movie Free Download
Movie:AayirathilOruvanDirector:SelvaraghavanProducer:R.RaveendranMusic:GV Prakash KumarCast:Karthi, Reema Sen, Andrea, ParthepanSelvaraghavan’s two years in the making, action adventure Aayirathil Oruvan is a brave attempt at trying to come out with something new in the placid world of Tamil cinema. Breaking away from the shackles of the stereotypes, the director transports us to a whole new world and at the end of it all, we are dumb stuck by the visuals, the packaging and the new way of storytelling.The film has a terrific first half with a basic thread, comedy, action, eye catching song picturisation, stunning visuals and grandeur. The film combines ultra-violent action with murky mysticism. The Government appoints a secret team led by archaeologist Anitha Pandian (Reemma) and a military officer Ravi (Azhagamperumal) to track down the missing links after a scientist and archaeologist (Pratap Pothen) vanishes into thin air while he was on his mission to discover the lost Chola civilization!To help them reach the lost city, Lavanya, daughter of the missing archaeologist is roped in for the mission. And helping the group to carry their belongings through the rough and tough jungle terrain and sea is the Coolie gang led by Muthu (Karthi), a boorish, uncouth, foul mouthed guy with roving eyes. They go through some of the most inhospitable terrain full of hidden danger and nature’s fury.Suddenly after a tedious expedition, they stumble on the lost Chola civilization and its king (Parthipan) and find unexplained links between them and the world’s earliest culture. What follows is a series of happenings that will leave you glued to the screen.The subtle message that Selva tries to convey is that a group of people cut away from civilisation, struck with poverty and knowledge is far superior to the present generation who lack values, culture or basic human kindness. All this leads to some unexpected twists and turns in the climax till you find that history repeats once again as Muthu rescues and run away with the King’s son to the darkness, like what happened centuries back!Aayirathil Oruvan starts with a bang, but it doesn’t unfold quickly. The second half takes a u-turn and is riddled with holes in the plot line and is confusing and tedious. It looks like another film and there are long gaps of silence in the climax which will make an ordinary viewer restless.Directing an interweaving screenplay, Selva’s narrative structure bursts with sporadic agility along with top class camera work by Ramji.GV Prakash’s background score and his music is tangy. Un Mela Aasadhan.. sung by Dhanush, Aishwarya Dhanush and Andrea and picturised on the lead trio is a rocker. The remixed old MGR song on Karthi and the coolies is a treat.Reemma brings an uninhibited joie to her role as Anitha and thanks to the ability of the director has extracted a fine performance from her. Andrea is likeable and seems to have enjoyed doing the film. Parthipan is adequate as the king. But it is Karthi, who is a scream. Right from his introduction scene till the end, he is lovable and provides humour. Actually Karthi with his punchlines is getting the loudest claps as the crazy MGR fan and has made a sensational comeback three years after his debut film.The film has to be seen in the right perspective. Selvaraghavan is trying to explore the frontiers of commercial cinema. For this alone he should be applauded
Kutty Movie Free Download
Is this all love is?" (Lovunna ivlo thana?) wonders the heroine, and you laugh out loud. It is one of the most confessional statements a Tamil movie director can make, and you have to hand it to Mithran Jawahar.The rhetorical question seems to be the director’s way of telling you what a guy can do when hundreds of campus capers roll out of Kollywood, year on year? So, you just hope that he will opt for some sassy treatment specially since there is this tag line, ‘Feel my love’ which buzzes at the back of your mind. Plus, this is a remake of the Telugu film ‘Arya’ with Allu Aravind in the lead, which ran for more than a year.It is a slow take-off from the blocks for the story, hovering around college-student Geeta (Shriya), a good looking girl engrossed in chatting up her friend while the entire college is lauding Arjun (Sameer Dattani) for winning in athletics. "Who is she?" he wonders, and when his friends tell him he cannot floor her, he does just that, by threatening to jump off the roof, unless Geeta declares that she loves him.In case you are wondering if this is what love is all about, Kutty (Dhanush) tells you there is more to it.You can fall in love with someone who clearly is dating someone else, and whether to have fun or to brood over is up to you. Kutty himself tells Geeta that his love for her is his problem, and since she loves Arjun, where is the problem? Oh, but there is. Kutty, while helping the other two, never misses an opportunity to outwit and outshine Arjun, while Geeta treats love like a status message-- more commentative, then mush. And can Arjun’s love last? It is this uncertainty over the fate of love that is the most engaging thread in the entire film, and Jawahar deserves a round of applause for that. However, the narration frequently appears like a lecture students term as ‘blade,’ while the climax, of the heroine changing her mind over the groom, has happened in only a 1000 other movies. Still, it is a clean entertainer and all, and Dhanush’s performance is a clincher. More....
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Asal Movie Free Download
Asal is Ajith's 49th film. Its of course a much awaited movie by the Ajith fans. This movie has brought back the old team Ajith and Saran. Also Ajith is the Assistant director of the film. He is also credited for the story, screenplay and dialogues along with Saran and Yuhi Sethu. So he has an extra responsibility for the good going of the film.oneindiain121:http://entertainment.oneindia.in/tamil/reviews/2010/asal-movie-review-050210.htmlBuzz up!Asal is a story of riot between three brothers over a property. Two of the brothers (Sampath Kumar and Rajeev Krishna) are constantly fighting for the wealth and the property while the other brother keeps aside and tries to stop the family getting split. The feud existed there in the family right from the father's time and is still continuing even after the death of the father. Both the good son and father's role is played by Ajith. The wealth seems too much for the brothers to handle and they land in trouble. So Ajith comes for their rescue. The rest deals with the climax. For more see the movie Asal.Sameera Reddy is playing the heroine, has no much scope of performance in the film but has enacted her role very well. Bhavana looks pretty in the movie. Ajith, as usual is looking glamorous and handsome in the film. Even Sampath, Rajeev and Pradeep has done their roles of villains very well. As far as the story is concerned there is nothing much extra ordinary in it and sometimes it pricks that the cast , especially Ajith is given a priority than the script. Yuhi Sethu tries hard to provide a few comic moments, succeeding partially on the rare occasion; his side kicks trying hard with a few gimmicks as well. Prabhu shows a dignified presence. The only thing to say that its the presence of Ajith in his stylish costumes and accessories that stop one from getting bored.Technically speaking the shots in France is quite appreciable. The camera has done a wonderful job. The streets and other beautiful sceneries of France is beautifully impressed. Action scenes are not that pleasing and could have been made better. The music by Bharadwaj gives hardly any feelings. All in all the movie Asal, produced by Sivaji Productions can be categorized as a stylish movie by Ajith. Altogether Ajith has impressed his fans but director Saran disappointed again. The movie is visually pleasing and one can enjoy his time seeing the movie. Don't think too much. Just watch the movie. Cast : Ajith Kumar, Sameera Reddy, Bhavana, Sampath, PrabhuDirection: SaranMusic: BharadwajProduction: Sivaji Productions
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